![]() The first step is becoming empowered.in this case, Erica gets a gun and, practically instantaneously, begins her slow journey back to becoming an empowered woman. However, once director Neil Jordan's film moves Erica from victim to avenger, the heart of the film largely dissipates from character study to self-righteous action film with occasional forays into Erica's psychological decline along the way. While this is undoubtedly a Foster we've seen before, given her recent penchant for steel-willed victim roles, Foster is mesmerizing in being able to effectively balance both her character's vulnerability and her absolute will to survive.Įrica becomes paralyzed by fear living in the city she had loved for so long, and watching her wilt under the weight of this fear is devastating. ![]() It is in these transition scenes that "The Brave One" is most effective, separating itself from far more base cinema such as Kevin Bacon's recent "Death Sentence" and all of Charles Bronson's "Death Wish" films except for, possibly, the very first one. What initially follows this nearly poetic contrast between romance and violence is, initially, a powerful psychological expose' about the impact of violence upon a human being, the healing process and the precarious journey towards overcoming one's fear. One night, the two lovebirds are viciously attacked with David being killed and Erica being left for dead. The two spend their days making mad, passionate love. "The Brave One" is the story of Erica Bain (Jodie Foster), a New York City radio show host whose love affair with the city is equalled only by her love affair with David (Naveen Andrews). Fortunately, this kind of spouting should be deemed little more than Hollywood hype for a film that will need all the hype it can get to be more than a mere blip at the box-office. If that is true then, well, Foster should give back her Oscar. ![]() I have read in recent interviews that Jodie Foster believes her performance in "The Brave One" to be the finest work of her career. ![]()
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